Reflections
Paris After Rain
A rain-soaked Paris street becomes a meditation on peace, memory, and the meanings photographs acquire over time.
View the photograph →A photograph stops time only within the frame. Beyond it, life continues, relationships change, memories deepen, and familiar images acquire meanings they did not possess when they were first made.
The photographs in this exhibition consider time not simply as chronology, but as an active force that reshapes how we understand place, experience, and memory.
The Exhibition
Featured Works
People
The Long Descent
Two strangers occupy the same public passage while remaining absorbed in private worlds, turning an ordinary London underpass into a meditation on reflection and choice.
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People
Before the Laughter
A street performer pauses in quiet anticipation before the first laugh is heard. Captured moments before a public performance begins, the photograph reflects on preparation, possibility, and the unseen intervals from which shared memories emerge.
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Cities
Before They Arrived
An empty dining room awaits the arrival of its guests. Created before conversation filled the space, the photograph reflects on expectation, absence, and the quiet anticipation that exists before shared experiences begin.
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Cities
Broken Promises
A weathered political sign lies fragmented across the pavement, transforming an ordinary piece of street ephemera into a meditation on public memory, fragile ideals, and the promises history leaves behind.
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People
The Forgotten Muse
A small, weathered portrait hidden near sidewalk level becomes a record of unexpected discovery. The photograph preserves an anonymous artist's deliberately placed image before time and passing footsteps could erase it completely.
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People
The Language of Tango
A young tango performer receives quiet assistance moments before performing. Captured without interruption, the photograph reflects on trust, preparation, and the unspoken language shared between artists before the music begins.
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People
The Music Awaiting
An unattended guitar, music stand, and empty chairs preserve the quiet interval between performances. The photograph reflects on friendship, memory, and the way music remains present even after the musicians step away.
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Cities
The Palimpsest
A weathered wall bearing the image of Ernesto 'Che' Guevara and a public-health message becomes part of a larger conversation when a young woman sits beside it. The photograph reflects on history, politics, public art, and ordinary life occupying the same urban surface.
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Reflections
The Shadow I Left Behind
A self-portrait created through shadow becomes a meditation on identity, memory, and the distance between the person once photographed and the person looking back years later.
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Journeys
Waiting for Green
The view from a taxi passenger seat layers the city outside with the enclosed world of the vehicle, transforming a pause at a red light into a study of movement, perspective, and the spaces between destinations.
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Cities
Within the Heart of the Alhambra
A panoramic view within the Court of the Lions shifts attention from the celebrated fountain toward the corridors, arches, waterways, and intersecting geometry that give the Alhambra its enduring spatial harmony.
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Nature
Echoes of the Coast
An abandoned coastal home stands between tropical beauty and the patient force of the sea, becoming a meditation on memory, displacement, vulnerability, and everything once lived within its walls.
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Cities
Echoes of the Corner Café
An empty neighborhood café in Palermo carries the atmosphere of another era, preserving the character of a place shaped by countless conversations even during a quiet lunch hour.
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Cities
The Last Night
Quito appears through a hotel window after sunset, layered with mountain silhouettes, gathering clouds, city lights, and the quiet emotion of a traveler preparing to leave.
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Journeys
The Road to Discovery
An empty cobblestone street in Old San Juan becomes an invitation shaped by patience and instinct, preserving the moment when curiosity asked the photographer to stop rather than continue.
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Journeys
Where My Journey Began — 1492
A meticulously stitched panorama of the Alhambra at sunset becomes a personal encounter with history and the long connection between Granada, Spain, the Americas, and the artist's own journey.
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Nature
Where the Ocean Speaks
A wave explodes against the rocky coast of Quebradillas, suspending an unrepeatable arrangement of spray, light, clouds, and sea for a fraction of a second.
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Reflections
Where Thoughts Come to Rest
A man sits alone at a neighborhood restaurant in Palermo, Buenos Aires, absorbed in a private moment. Photographed discreetly in July 2009 while Francisco Colón was living in the city, the image observes solitude without attempting to explain it.
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Cities
Rome Says Goodbye
A street poster of Pope Benedict XVI hangs against a weathered Roman wall on February 28, 2013, the final day of his papacy. Beside it, an ordinary storefront remains open as the city continues around a moment of historic transition.
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Reflections
Still Beautiful
A spontaneous panoramic landscape made along the road from San Juan toward Lares becomes, years later, a meditation on imperfection, memory, and the persistence of beauty.
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People
The Passenger Above
A driver moves through the streets of Port-au-Prince with a coffin secured above his vehicle, preserving an unexpected moment of everyday life in Haiti two years after the devastating 2010 earthquake.
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Journeys
The Waiting Room
A quiet morning in a hotel room in the Bahamas becomes a record of a ritual repeated across years of international travel—room service, work, phone calls, waiting, and eventually another departure.
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Journeys
Ready to Go
Seated in the lobby of a Marriott Hotel in El Salvador, dressed for business with tie, dress shoes, and work bag at hand, the photographer waits for transportation to take him to a customer meeting. The image preserves one of the ordinary intervals behind years of international business travel—the quiet moment after getting ready but before the workday truly began.
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Journeys
Passengers in Passing
A New York City subway train rushes past the platform at 86th Street in Manhattan as passengers briefly emerge through its windows. Created from a sequence of photographs made on September 5, 2015, the final composition combines selected moments from the passing train, preserving individual passengers within the surrounding motion.
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Journeys
Between Stops
Passengers wait across the tracks at Fulton Street subway station in Manhattan on September 6, 2015. Framed by the station's aged steel columns, the people occupy separate spaces along the same platform—some standing together, others alone, checking a phone, carrying luggage, or simply waiting. Photographed while traveling through New York City with my daughter on our way toward the Battery, the image captures an ordinary pause between destinations.
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Cities
Into the Memorial
Visitors move through the interior of the 9/11 Memorial & Museum in New York City, where monumental concrete planes frame an illuminated network of stairs and escalators. Silhouetted figures and their reflections cross the dark foreground while the architecture draws the eye toward the brighter interior beyond. The photograph captures the scale, geometry, light, and human movement within the museum space.
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Cities
Those Who Come, Those Who Leave
A photographic diptych created inside the National September 11 Memorial & Museum in New York City on September 5, 2015. Two opposing views of the museum's escalators contrast visitors moving in different directions through the memorial. Monumental concrete walls, converging lines, available light, and human movement connect the two photographs. Made without flash to avoid disturbing the shared purpose and quiet significance of the memorial, the work observes the continuous passage of people who come to learn, remember, mourn, share, and pay tribute.
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Nature
Life Inside the Caldera
Clouds descend across the steep walls of the Pululahua volcanic caldera in Ecuador while patches of sunlight reveal farms, roads, homes, and cultivated fields across the valley floor. The panoramic photograph contrasts the immense scale of the volcanic landscape with the quiet evidence of everyday human life continuing within it.
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Cities
Guayaquil in Motion
Night traffic moves through Guayaquil, Ecuador, as headlights and taillights trace the curve of a city roadway. Photographed on June 28, 2010, the image is one frame from a larger interval-photography experiment in which a fixed camera repeatedly recorded the movement of traffic through the city after dark.
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Cities
Around the Corner
A quiet cobblestone street passes between colorful buildings in Guayaquil, Ecuador, before bending out of sight. Photographed at night on June 28, 2010, the composition follows the street toward a destination the image never reveals. Architecture frames the passage while the cobblestones carry the eye toward the illuminated corner and whatever lies beyond it.
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Cities
Still Under Construction
Santiago, Chile, stretches beneath the snow-covered Andes Mountains on May 31, 2009. Construction cranes and unfinished towers rise across a changing city beneath a landscape shaped on an entirely different scale of time. Made with a Sony camera before Francisco Colón considered himself to have begun his photographic journey, the image carries a meaning recognized only in retrospect: he photographed a city being built during a period when he, too, was still being constructed.
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Nature
Standing Alone
A solitary tree stands beneath an expansive December sky near Killeen, Texas, its remaining red leaves contrasting with the winter landscape. Photographed on December 24, 2017, during a walk through the area, the scene reflects a recurring attraction to trees that stand apart from their surroundings. A curving path disappears beyond the tree, leaving its destination unseen—a quiet reminder that while the present may be known, what lies ahead remains beyond view.
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Photography Wing
Where the Street Turns
A narrow Paris street curves out of sight on a rainy February evening, as pedestrians make their way along wet cobblestones illuminated by the warm glow of nearby shops and restaurants. Photographed on February 24, 2013, while walking through Paris, the scene captures an unplanned moment encountered along the way—a small street whose turn leaves what lies beyond it unseen.
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Cities
Paris, Unhurried
Two women share an evening conversation outside a neighborhood café in Paris while a white scooter rests along the curb. Empty chairs, illuminated storefronts, and passing reflections surround a quiet human moment unfolding within the movement of the city.
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Cities
The Weight of Promises
Thousands of love locks cover the Pont de l’Archevêché beside Notre-Dame on a rainy February day in Paris. As a solitary visitor pauses to photograph the bridge, the accumulated padlocks transform private declarations of devotion into a public monument. Created on February 25, 2013, the image preserves a temporary chapter of Parisian history before the locks were removed because of their structural weight and environmental impact.
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people
The City Keeps Walking
An unidentified person bends over a crutch while holding a small cup on a Paris sidewalk as pedestrians continue with their daily lives. Photographed near the Seine on February 26, 2013, the scene presents a quieter contrast to the familiar image of Paris as the City of Love and the City of Light. Whether the person was experiencing pain, disability, poverty, or performing a practiced role remains unknown. The photograph preserves what could be observed without claiming what could not be known.
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People
The Everyday Runway
Two women walk side by side through Paris, their blonde hair, scarves, long coats, and coordinated handbags creating an unplanned study of everyday fashion. One combines a dark flowing coat with heels, while the other pairs a fitted brown coat and matching bag with patterned leggings and athletic shoes. Photographed as they moved naturally through the city, the scene transforms an ordinary Paris sidewalk into an everyday runway.
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Reflections
The Home I Drew at Eighteen
Repeating arches frame a tropical courtyard inside a hotel in Cartagena, Colombia, where warm architecture, palms, and quiet walkways create a place of shelter and reflection. Photographed during a business trip, the scene recalled a home imagined and drawn by the artist at eighteen—a home that also contained arches. What began as temporary accommodation became an encounter with an architectural memory carried across decades.
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Reflections
The Gentleman I Wasn’t Looking For
A small stenciled gentleman in a top hat steadies himself between a walking cane and an expansive weathered wall in Paris. Surrounded by stains, scratches, and negative space, the anonymous figure appears unexpectedly human despite his simple painted form. Discovered casually while walking through the city, he transforms an ordinary wall into a quiet meditation on age, endurance, and vulnerability.
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Cities
Small Against the Night
A solitary compact car rests beneath the towering façade of a residential building in Chelsea, London. Rows of windows and scattered interior lights emphasize the immense scale of the architecture, making the little vehicle appear almost toy-like beneath it. Discovered during a long walk from Hammersmith toward the Tower of London, the ordinary nighttime scene became a quiet study of scale, solitude, and urban stillness.
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People
The Company of Empty Chairs
A solitary woman sits aboard Tattershall Castle, a floating pub and entertainment venue moored on the River Thames opposite the London Eye. Quietly smoking while rows of empty tables and chairs surround her, she appears absorbed in her own thoughts. Warm light separates her from the darkness as blue deck lights and reflections move across the river behind her. Photographed from a considerable distance shortly after midnight, the scene preserves a private moment of contemplation within a space intended for conversation, companionship, and crowds.
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Cities
The Staircase Between Meetings
Blue railings, pale stone steps, and yellow columns form a layered spiral inside an unidentified hotel in Cartagena, Colombia. Photographed from an upper landing during a lunch break, the staircase appears to circle inward toward a shadowed center. Repetition, color, and perspective transform a functional passageway into an architectural study of movement, depth, and visual discovery.
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People
Where the Wall Opens
Two people share a quiet embrace within a small opening in a weathered stone wall overlooking the sea in Cartagena, Colombia. Surrounded by the scale and texture of the historic architecture, their intimate connection appears momentarily sheltered from the world around them. The opening creates a natural frame, transforming a fleeting human gesture into the emotional center of the composition.
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People
A Smile Between Buses
During a business trip to Cartagena, Colombia, Francisco Colón noticed a woman seated inside a bus positioned alongside his own. At first, she did not realize that he intended to photograph her. He raised his camera and gestured for her to smile. She understood, turned toward him, and offered the expression preserved here. The photograph records a brief, wordless collaboration between two strangers before their separate journeys continued.
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People
While She Waits
A woman sits quietly beside a street display on a nighttime arcade in Cartagena, Colombia, absorbed in the light of her phone. Empty chairs surround her while containers of goods, a nearby restaurant, and contrasting pools of warm and cool light suggest a street temporarily between moments of activity. What she is waiting for remains unknown, allowing an ordinary pause to become an open-ended story.
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Cities
The Wall Keeps Watch
A solitary stone sentry post stands along Cartagena's historic fortified wall, facing the Caribbean Sea. Originally created as part of a defensive system intended to protect the Spanish colonial port, the weathered structure now watches over a quiet horizon. Broad layers of stone, water, and sky emphasize its enduring presence, while a small bird crossing the distance suggests the passage of time beyond the wall.
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Cities
The View I Almost Missed
Photographed from a horse-drawn carriage moving through Cartagena's old city, this layered street scene reveals the photographer's attention turning away from the road and toward an extraordinary decorated wall. Mirrors, lanterns, clocks, religious imagery, nameplates, tables, and a handwritten sign reading “No tenemos Wi-Fi. Hablen entre ustedes” compete for attention as the driver and horse continue forward. The image reflects the difference between passing through a place, photographing it, and fully experiencing it.
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Cities
What the Walls Remember
Inside the Alhambra, centuries-old plasterwork transforms architecture into a surface of geometry, ornament, and written language. Repeating patterns, carved borders, Arabic calligraphy, and traces of age fill the composition. What first attracted the photographer as visual design gradually became something more compelling: the realization that the forms were carrying meaning he could see but could not yet understand.
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Cities
The Threshold of History
The Puerta de la Justicia, or Gate of Justice, at the Alhambra in Granada reveals layers of Nasrid architecture through its monumental horseshoe arch, intricate brickwork, surviving blue decorative ornament, weathered surfaces, and massive wooden doors. Centuries of wear remain visible across the façade, preserving the passage of time within one of the Alhambra's historic gateways.
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Journeys
Between Two Skies
A luminous horizon emerges between layers of cloud during a 2015 flight to Jamaica. Photographed while traveling for business, the view transforms the atmosphere into a vast skyscape, with rolling clouds stretching toward the distance beneath a darkening sky. A narrow band of evening light separates the two, revealing subtle transitions of blue, gold, orange, and violet above the Caribbean.
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People
She Saw Me First
An unexpected reunion unfolds in the middle of a Pride parade in Mexico City. While photographing the celebration from an elevated position, I was suddenly spotted by a friend I had first met during a business trip to Mexico City in 2003 and had not seen since 2006. Her raised arm, direct gaze, and spontaneous expression of joy capture the instant of recognition—one familiar face finding another within the movement of a crowded street.
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Cities
The City Carries On
The Palacio de Bellas Artes stands beneath a cool, overcast morning sky in Mexico City as the city begins another day around it. Rain-darkened pavement reflects the glow of streetlights still illuminated in the early morning, while a solitary pedestrian crosses the frame and temporary structures, signs, and contemporary city infrastructure surround the historic landmark. The photograph captures Bellas Artes not in isolation, but as part of a living city—monumental, enduring, and surrounded by the ordinary rhythms of everyday life.
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Reflections
Where I Left My Hat
While living in Mexico City, I picked up my camera one quiet afternoon and began photographing ordinary things around my apartment. My hat, hanging where I had left it, caught my attention because of the contrast between its warm woven texture, the dark lamps, and the surrounding green foliage. Nothing in the scene was arranged for the photograph. It was simply an everyday corner of my home that, for a moment, became something worth noticing.
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People
While the World Moved
While photographing the Mexico City Pride parade from an elevated position above the crowd, I noticed a man sitting quietly amid the movement and energy surrounding him. I zoomed in as he rested with a cigarette in his hand, seemingly detached from the celebration unfolding nearby. By isolating only his hand, the cigarette, drifting smoke, and the pavement beneath him, the photograph removes the surrounding chaos from view while preserving the contrast that first caught my attention: a moment of complete stillness while the world around him continued to move.
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People
Directed Elsewhere
During an animal-rights protest in Mexico City, a shirtless demonstrator raises both middle fingers toward a large police presence outside the frame. Photographed from behind, his identity gives way to gesture as the surrounding crowd recedes into shallow focus. The image captures a brief expression of defiance within a larger public demonstration, while the unseen target of the gesture remains beyond the photograph's boundaries.
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Cities
Everything Leads There
A bed of orange cempasúchil stretches along Paseo de la Reforma toward the Ángel de la Independencia in Mexico City. Flowers, roadway, trees, traffic, and surrounding architecture create overlapping lines of perspective that converge near the distant monument. Though the Ángel occupies only a small portion of the frame, the composition continually draws the eye toward it, transforming an ordinary view along the avenue into a study of distance, perspective, and destination.
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People
Stillness in the Feathers
While walking through Mexico City on an ordinary day, Francisco Colón unexpectedly encountered a cultural gathering on a street corner. Among the people, color, movement, and elaborate feathered regalia, one woman caught his attention for precisely the opposite reason: her stillness. Photographed in profile, she appears composed and contemplative amid an event celebrating Mexica/Aztec-inspired cultural traditions. The photograph became a study of contrast—between movement and stillness, visual intensity and quiet presence, and ancestral imagery within a modern city.
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Nature
Because I Looked
While living in Mexico City, Francisco Colón stepped onto the balcony of his apartment with his camera on an otherwise ordinary day, looking for something to photograph without going anywhere at all. Among the familiar plants, a small cluster of white flowers—believed to be a white-flowering Pelargonium, commonly known as a geranium—emerged against the deep greens and shadows. Long leaves radiate outward behind the blossoms, naturally drawing the eye toward something that might otherwise have gone unnoticed. Because I Looked is a quiet study of observation—the discovery that inspiration does not always require a destination. Sometimes it is already there, waiting to be noticed.
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Nature
Through the Leaves
Photographed from the balcony of Francisco Colón's apartment in Mexico City, Through the Leaves finds a brilliant red geranium surrounded by layers of tropical foliage and the warm geometry of a wooden railing. Foreground leaves partially obscure the scene, creating the sensation of looking through the garden rather than simply observing it from outside. Made during an ordinary afternoon of photographing close to home, the image reflects how familiar surroundings can reveal unexpected compositions when given closer attention.
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Reflections
Misma llave, misma puerta
Beyond the darkened resort, the Caribbean meets the first light of morning. A narrow line of orange divides the sea from a sky still holding the night, while the illuminated pool below glows electric blue. Made during a few private days in Cancún, the photograph became connected to Misma llave, misma puerta—not simply as a record of a place, but as the atmosphere surrounding a memory.
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Reflections
Between the Curtains, Rio
Made from a room at the Sheraton Hotel in Rio de Janeiro, this January 2003 photograph records a morning deliberately anticipated. Dark curtains narrow the view to a sunrise emerging over the Atlantic, while the surrounding glass and interior panels repeat traces of the changing light. The balcony door had been left open overnight, with the curtains resting much as they appear in the photograph. Rising early specifically to experience the sunrise, the photographer found the moment worth the effort—the quiet room becoming both shelter and viewpoint as morning arrived over Rio.
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Cities
Where the Mountains Hold the City
Photographed at approximately 7:23 AM from the rooftop of a hotel overlooking Copacabana, this elevated view reveals Rio de Janeiro as a city held between architecture and mountains. After receiving permission from the front desk, the photographer was escorted to the rooftop by hotel security specifically to make the image. An illuminated avenue leads through the dense arrangement of buildings toward the surrounding peaks, while scattered hillside lights remain visible in the emerging morning. The camera recorded 4:23 AM because its clock remained set to Miami time—three hours behind Rio de Janeiro on January 25, 2007.
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Photography Wing
Between the Passing
A solitary flamboyán blooms in a narrow strip of land in Lake Worth, Florida, positioned between the railroad tracks and busy Dixie Highway. Surrounded by utility lines, fencing, buildings, traffic, and the infrastructure of everyday movement, the tree remains still—a brilliant presence in a place designed largely for passing through.
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Photography Wing
The Space He Occupied
The Space He Occupied documents British artist John Haydn Colley (1967–2019) at work in Granada, Spain, on April 8, 2014, seated on the pavement as he creates a large architectural drawing on cardboard. More than twelve years later, while revisiting the original RAW photograph, Francisco Colón discovered Colley’s web address written along the edge of the drawing and traced it to The Lost Photographer, where Colley had documented his experience in Granada at the time. Colón subsequently discovered a public notice reporting that Colley died on May 11, 2019, at IPO Hospital in Lisbon, Portugal. The Studio has not independently verified the circumstances of his death. What began as a photograph of an unidentified street artist has become a record of a named artist, his work, and an encounter whose significance was not understood when the photograph was made.
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Photography Wing
Where the Water Catches Light
At the fountain of La Diana in Mexico City, Francisco Colón turned his camera toward the water rather than the statue for which the landmark is known. Late light passes through the spray, illuminating individual droplets against the dark fountain and surrounding city. The close view leaves much of the monument outside the frame, giving a familiar place a momentary appearance shaped by light and movement.
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Journeys
A Passage by Liberty
A sailboat crosses New York Harbor in silhouette as the Statue of Liberty rises beyond it against the last color of the evening sky. Francisco Colón made the photograph on September 6, 2015, during a boat outing with his daughter—a return to a landmark he had first studied closely while drawing it for his seventh-grade art teacher in the bicentennial year of 1976.
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Cities
Where the Morning Was Going
At daybreak in Santiago, traffic gathers beneath an elevated viewpoint while water runs through a channel toward the quieter buildings beyond. Francisco Colón made the photograph in March 2015, knowing that in a few hours he would be waiting for someone to arrive. The city was already moving; for him, the morning had begun moving toward her.
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Cities
Where Conversation Waits
On a nighttime walk beside the River Thames, Francisco Colón photographed a red telephone box near an empty bench. A row of bicycles waits behind them. The telephone offers a way to speak across a distance; the bench offers a place to speak side by side. In their shared emptiness, the scene invites a question about how the places we use to connect with one another change over time.
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Cities
The Mountain They Built
The Pyramid of the Moon rises from the ancient city of Teotihuacán with Cerro Gordo extending across the horizon behind it. The pyramid was positioned to echo the mountain’s profile, allowing human construction and the surrounding landscape to appear as a single ascending form. Visitors gathered along its terraces provide a measure of scale, while the mountain reminds us that the builders were not attempting to separate their city from nature—they were placing it in conversation with the land.
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People
What the Photograph Remembered
A solitary man reads a Spanish-language newspaper outside Puerta de los Tristes, a restaurant along Granada's historic Paseo de los Tristes. Around him, the café tables remain empty as the late morning quietly unfolds. I do not remember the precise moment when I made this photograph, but the image helped reconstruct what memory could not. The newspaper, empty chairs, storefront signage, and geography of the street returned the moment piece by piece. Sometimes the photograph makes the story. In this case, the story made the photograph.
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People
The One Everyone Watched
Before my daughter and I boarded a boat from The Battery for a closer view of the Statue of Liberty and Manhattan, a dog sitting motionless on a waterfront bench captured everyone's attention. He remained perfectly composed, staring steadily in one direction while New York continued around him. People stopped, watched, smiled, and raised their cameras. The bench became his stage, the crowd became his audience, and for a brief moment, the quietest presence in the scene became its undeniable star.
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Nature & Stillness
The Moon That Followed Us
Photographed handheld somewhere in Mexico, The Moon That Followed Us transforms a familiar celestial subject into a vessel for personal memory. As a child in Paterson, New Jersey, Francisco Colón ran with his brother and cousins believing the Moon was following them. Decades later, it became connected to Ana Gabriel's song Luna, a lost love, and the woman with whom he would eventually travel the world—the experiences that helped inspire Fronteras y Ecos. The surrounding darkness expresses distance and solitude, while the Moon remains a quiet companion across childhood, love, travel, and time.
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People & Daily Life
Enough
A partially filled cup of beer rests beside the Thames in London, its amber contents catching the light while streetlamps dissolve into a softly blurred background. Encountered during an evening walk, the unfinished drink suggested a quiet decision: someone had enough. Their reason remains unknown, but the photograph invites reflection on recognizing when to stop, even when more remains.
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People & Daily Life
The Question I Still Ask
A solitary figure sits curled inward beside a storefront, hands clasped around drawn knees, while a brilliant red umbrella fills the foreground. The contrast between the polished warmth of the interior and the quiet vulnerability of the person outside creates a scene of separation, shelter, and uncertainty. The photograph asks without answering: who is this person, what brought them here, and what story existed before this moment?
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People & Daily Life
Between Shifts
A solitary man rests on a bench during the early morning in Mexico City, his hood lowered over his face and a backpack secured between his legs. Behind the iron fence, other people are already moving through the beginning of their day. His posture suggests profound fatigue, but the photograph leaves his journey unresolved: he may be preparing to go to work, returning after a long shift, or simply waiting for whatever comes next. Between Shifts preserves that uncertain interval between work and home, movement and rest.
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Nature
What Stood in the Way
A large yacht rests at the marina in West Palm Beach beneath an expansive early-morning sky filled with violet clouds and breaking light. Although the vessel dominates the foreground, it was not the reason for the photograph. The real attraction was the atmosphere behind it—the changing sky, the color, and the first light of morning. What Stood in the Way explores the contrast between something built to impress and a natural spectacle unfolding beyond it.
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Nature
Witness to Morning
Two figures stand near the shoreline as morning breaks over the Atlantic, dwarfed by a vast sky filled with glowing orange clouds and cool blue light. Their small presence gives scale to the scene and transforms the sunrise from a landscape into a shared human moment. Witness to Morning reflects on the quiet experience of standing still while the day begins around us.
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Nature
Where Morning Finds the Shore
Two shorebirds stand in the wet sand as the rising sun breaks through a low band of clouds over the Atlantic. Golden light stretches across the water and reflects along the shoreline, while darker clouds frame the scene above. The photograph moves almost continuously from wet sand to incoming waves, ocean, horizon, clouds, and sky. The birds provide small points of life within the larger coastal landscape, their presence bringing a sense of movement and play to an otherwise quiet morning.
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People & Daily Life
The Chair Beside Her
Two beach chairs face the Atlantic beneath a dramatic sunrise, one occupied and one left empty. The glowing clouds stretch across the sky while the shoreline remains quiet below, creating a scene that feels both intimate and expansive. The empty chair becomes more than part of the setting. Together, the two chairs establish a quiet relationship within the composition, framed by the changing light of morning.
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Nature
For As Long As It Carries Me
A lone surfer walks the shoreline beneath a broad morning sky, carrying a board toward the Atlantic as light spreads across the water. The image becomes a meditation on movement, timing, and presence—not on finding the perfect wave, but on recognizing the value of the one that arrives. Some experiences are not meant to last forever. Their meaning comes from being fully present for however long they carry us.
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Cities
Where Stone Meets the Sierra
The Alhambra rises above Granada beneath a pale evening sky, its warm illuminated walls set against the cool blue ridges of the Sierra Nevada. Snow remains visible along the distant mountains while the palace glows above the wooded hillside, creating a natural contrast between architecture and landscape. The photograph reflects the enduring presence of the Alhambra within its setting—stone, history, mountain, and fading light held together in one quiet view.
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Photography Wing
Where Darkness Becomes Light
Where Darkness Becomes Light explores the gradual passage between night and day along the ocean's edge. From the nearly black foreground, detail slowly emerges across the wet sand before reaching the reflected sunlight, ocean, and illuminated horizon, while a massive cloud layer still carries the darkness above. Inspired by Francisco Colón's lifelong fascination with the boundary between the illuminated and unilluminated Earth, the photograph reflects on a distinction that appears simple from a distance but becomes far more complicated when experienced: darkness does not simply end where light begins.
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Photography Wing
Because They Flew By
On the morning of July 25, 2016, Francisco Colón was preparing for a video shoot with his friend Melina as the sun began to rise. Photographing birds had never been part of the plan. When two birds unexpectedly crossed the open sky above the ocean, he simply raised the camera and made the photograph. Because They Flew By preserves an unplanned moment—the kind of photograph that exists not because it was sought, but because the photographer happened to be looking when it appeared.
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Photography Wing
What Continues
While walking through Frankfurt with his daughter, Francisco Colón noticed a repeating line of metal posts and chains stretching along the street. The posts were the subject. Their repetition and diminishing scale created the leading line that caused him to stop and make the photograph. Years later, returning to the image revealed other forms of continuation already present within the frame: tram tracks following the street, the sidewalk extending alongside them, parked cars repeating into the distance, and buildings carrying the city beyond what can be seen. What began as a deliberate study of repetition and perspective gradually became a photograph about something larger: what continues.
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Photography Wing
A Place to Remember
Early one morning in Plaza General San Martín in Buenos Aires, Francisco Colón photographed an open section of the park after rain. Wet pavement stretches beneath the canopy of a massive tree, while a solitary bench rests near the balustrade overlooking the lower reaches of Retiro. The tree, bench, pavement, and surrounding landscape are important elements, but none is individually the subject. The subject is the space itself—a place Colón repeatedly returned to during visits to Buenos Aires, not for its landmarks or history, but for the quiet experience of simply being there.
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Reflections
On This Side of the Glass
From the warm interior of a hotel in Buenos Aires, Francisco Colón looks through a wall of glass toward a rain-soaked city street. Tables, upholstered chairs, curtains, and amber light occupy one side of the window, while wet pavement, traffic, pedestrians, architecture, and red traffic signals occupy the other. The glass allows both environments to exist within the same view while keeping them physically apart. Years later, the photograph acquired another dimension for Colón. The glass remains the visible barrier within the image, but time has become the barrier between the photographer and the familiar room he now wishes he could occupy again.
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People
While the Photographers Were Looking
While waiting with his daughter to board a boat into New York Harbor, Francisco Colón turned around and noticed two photographers below him, each absorbed in making a photograph of something outside the frame. The situation registered immediately. While families rested nearby and people continued through The Battery, the two photographers remained concentrated on whatever had caught their attention, apparently unaware that they had become the subject of another photographer observing them from above.
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Reflections
The Picture That Stayed
Photographed from New York Harbor in 2015, The Picture That Stayed records the Statue of Liberty against the fading colors of an evening sky. For Francisco Colón, however, the photograph reaches much farther back than the moment of exposure. His relationship with Liberty began in 1976, when a seventh-grade art teacher unexpectedly asked him to enlarge a small image of the statue into a drawing approximately the size of a door. Nearly four decades later, traveling through New York Harbor with his daughter, Colón finally encountered the figure he had studied so carefully as a boy and made a picture of her for himself.
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Cities
The Detail I Remembered
Rheinstein Castle rises above a steep wooded hillside near Trechtingshausen, Germany, overlooking the Rhine River. Francisco Colón photographed the castle during a 2014 Rhine cruise with his daughter. Although the towers and dramatic position above the river commanded the landscape, one much smaller feature remained particularly memorable: a metal basket projecting from one of the towers. More than a decade later, that small detail remained one of Colón's clearest memories of encountering the castle.
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Reflections
The Car That Takes Me Back
A yellow Volkswagen Beetle parked along a street in Old San Juan became an immediate connection to another time in Francisco Colón's life. Colón had owned two Volkswagen Beetles, beginning with his first car at Fort Knox in 1983 and followed by a 1973 Beetle while living in Darmstadt, Germany. That second car became part of the story surrounding the birth of his daughter. Encountering another Beetle decades later in Puerto Rico brought those memories immediately back.
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The image remains still while everything around it continues to move.
Years later, we may return to the same photograph carrying knowledge, gratitude, sorrow, or understanding that did not yet exist when the shutter was released. Time does not alter the photograph. It alters the person who returns to it.